Interview with Laurie Atkinson

Our next seminar will be taken by Laurie Atkinson on 12th February 2018. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Laurie about being a Northumbrian and the thrill and dread of deciphering manuscripts.

Tell us a bit about yourself, where are you from?

My village sits on the border between County Durham and Tyne and Wear, so I just say that I’m a Northumbrian! I did my undergraduate in English at Durham, then spent last year in Cambridge studying for an MPhil in Medieval Literature.

What brought you to Durham?

Why go down South for Chaucer’s Boece when you’ve got an autograph of Hoccleve’s Series at home?

 

What is your favourite thing about the medieval/early modern period?

It’s got to be the manuscripts. I still get a thrill every time I open a codex, followed by a dim sense of dread when I realise that I’ve got to read the thing!

What does your research focus on?

My research focuses on late medieval dream-poetry and its paratexts. I’m interested in the way that conceptions of authorship encoded in the dream-frames of vernacular literary works are transmitted and re-imagined in manuscript to print. Chaucer, Lydgate, Skelton and Caxton all get a look in, but I’m most excited about some of the dream-poem’s less known practitioners, as the form begins to wane at the turn of the sixteenth century.

What do you plan to focus on in your seminar?

I’m going to be speaking about Gavin Douglas, an early sixteenth-century Scots bishop, diplomat, and ‘humanist’, who also turned his hand to poetry. Specifically, I’ll be looking at Douglas’ Eneados of 1513, the first full English translation of the Aeneid. I want to think about Douglas’s place within the textual communities of Scotland and continental Europe, the extent to which his Eneados warrants the epithet of a seminally ‘Renaissance’ translation, but also the unmistakable influence of insular, vernacular literary traditions in the remarkable prologues to his epic.

If you were not in academia, what would you be doing?

I dread to think. I know Cooplands are hiring.

Do you have a favourite medieval/early modern text?

I rly lyk the Eneados. Hoccleve is gr8 2. Ttyl. C u @ MEMSA x

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Interview with Rhiannon Snaith

Our next seminar will be taken by Rhiannon Snaith on 29th January 2018. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Rhiannon about life in the northeast, knights in shining armour and notorious nobles.

Tell us a bit about yourself, where are you from?

I’m a local! I grew up in County Durham. At 18 I wanted to get away a bit, so I went to university in Wales. I studied Medieval and Early Modern history at Aberystwyth. There were a lot of seagulls, and once a blue shark was found parked on a set of double-yellow lines. It made the front page of the local paper. The place had an awful lot of charm!

What brought you to Durham?

I came back north to Durham for my MA because I’d been feeling a little homesick (and was tired of seagulls clog-dancing on my skylight). Wales was lovely, but there’s nowhere like the North East!

After working in North Yorkshire for a couple of years after my MA, I decided to jump back into higher education. Completing my PhD felt a lot like unfinished business. I’ve been feeling like a pig in mud ever since.

What is your favourite thing about the medieval/early modern period?

As a child I was always in love with the traditional notions of knights in shining armour, and I guess, given my research interests, some of that never really went away.

I’ve always been a bit of a story-teller at heart. I love how we have to play detective, piecing together different kinds of evidence to try and reconstruct a  kind-of ‘lost world.’ Studying this period often brings home to me that, despite the differences between our times and theirs, human beings don’t really change very much.

 

What does your research focus on?

My research focuses on the relationship between noble reputation and noble power in late medieval England. I explore contemporary notions of reputation (both noble and non-noble) and their role in society, culture and politics. Reputation mattered, and I’m just keen to find out the hows, the whys and the how-much-es!

What do you plan to focus on in your seminar?

My talk focuses on the posthumous reputations of two late medieval dukes of Gloucester. I explore the uses their reputations were put to by others in the wake of their deaths. It really does seem like an example of history repeating itself, and I don’t think that was an accident. I hope it will demonstrate why studying reputation is a worthwhile thing to do!

If you were not in academia, what would you be doing?

I really have no idea! My old job made me miserable, so definitely not that! I think I would have to be doing something creative because I’m happiest when I’m making new things. Writing was always my first love, so possibly something to do with that.

Do you have a favourite medieval/early modern text?

I really have no idea! My old job made me miserable, so definitely not that! I think I would have to be doing something creative because I’m happiest when I’m making new things. Writing was always my first love, so possibly something to do with that.

Interview with Moriah Kennedy

Our next seminar will be taken by Moriah Kennedy on 15th January 2018. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Moriah about her love of folklore, Arthurian legends, and rogue metal detectorists.

Tell us a bit about yourself, where are you from?

I have lived most of my life in the Bronx in New York, though I also lived for a few years in Israel when I was young.

What brought you to Durham?

Back in 2012 a friend recommended Durham to me, and the following week I got a glimpse of Durham from the train on the way to Edinburgh. In the brief glance I had of the city I was very impressed by the cathedral (sans scaffolding) rising above everything else. A few years later when I decided I wanted to do a postgrad degree I found that Durham seemed most suited to my interests and most flexible when it came to choosing a dissertation topic, and it was the only school to which I applied.

 

What is your favourite thing about the medieval/early modern period?

This isn’t specifically a medieval/early modern interest but one of my favourite things is the folklore associated with landscapes and monuments, though I have a particular interest in how these ideas were interpreted during the medieval and early modern period. Likewise I’ve also become interested in medieval and early modern attitudes towards death and the rituals associated with it. As an undergrad I majored in anthropology so my interest tends towards understanding why people of the past did what they did.

 

What does your research focus on?

The research in my talk is primarily concerned with the post-Medieval English turf maze, mainly researching why they existed and how their use and form changed over time. Turf mazes have also existed in Germany but in style the English turf mazes most closely seem to resemble the French cathedral pavement mazes so I have focused a lot on the evolving use of those. I have also done a lot of research into when in the calendrical year the turf maze would have been used, so I have done research into the English ritual year, with specific focus on Lent through just after Midsummer. I have also researched how the English would have understood the concept of the maze and the stories connected with it, such as those concerning Daedalus and Ariadne, Theseus and the Minotaur and Aeneas and the Trojan games.

What do you plan to focus on in your seminar?

In my seminar I will be focusing on the more archaeological elements of my Masters dissertation. This includes a look at a GIS map I created looking at the geographical naming trends of turf mazes. I will also focus on the drone survey I commissioned for my dissertation which helped me conduct research into a mostly unstudied overgrown turf maze in Yorkshire. The landowners wish the exact location to be kept secret (an issue with metal dectorists in the past (looking for non-maze related objects)) so I can’t publish my findings anywhere, but I can talk about them during my seminar and show the results.

If you were not in academia, what would you be doing?

I am currently not in academia but back at work as a librarian of sorts in New York. For now that’s what I’m doing but my other non-academic interests would include taking part in more archaeological excavations, or historical costume design or a study in folklore. If I could I would also spend a lot more time painting landscapes and sewing historical costumes.

Do you have a favourite medieval/early modern text?

Most of my literary interests tend to the eighteenth and nineteenth century, a number of those taking place during medieval-esque times (sometimes to the point where they are so very nineteenth century that you would never know they took place at any other time!). I do however enjoy Arthurian legends, especially the ‘newer’ ones which added Sir Galahad to the Grail cycle.

Interview with Louise Garner

Our next seminar will be taken by Louise Garner on 20th November 2017. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Louise about living abroad, medieval manuscripts, and working between Chemistry and History.

Tell us a bit about yourself, where are you from?

I’m from Leicestershire, but haven’t lived there for a long time. Before I left Britain I lived in Pendle, near the Witches. After Lancashire I moved to The Falkland Islands, and then lived in Kuala Lumpur, Malaysia for four years and then lived most recently in Kathmandu, Nepal for a few years.

What brought you to Durham?

Moving back to the UK from living abroad was like a blank canvas, I could go anywhere and do anything! I decided to indulge a passion and study for Masters in Medieval and Early Modern Studies at Durham. I’d been to Durham as a visitor and liked it, and the university setting and expertise seemed perfect.

I intended to stay just for my masters’ year, but ended up buying a house here and starting a PhD.

What is your favourite thing about the medieval/early modern period?

I’d be lying if I said I wasn’t drawn to the high drama – Kings, Queens, executions, battles, Viking raids, plague etc.

Manuscripts have captured my heart though. The more I find out the more I realise there is to know. I’m really enjoying learning about how manuscripts were made, from preparing parchment from animal skins, through to the pricking and ruling, the copying, scribal practice and how scriptoria operated. Of course pigment preparation is a key feature of my research and I’m enjoying mixing up pigments in the laboratory.

What does your research focus on?

My current research is on non-destructive identification of pigments used in illuminated manuscripts. However, the knowledge of which pigments were used means nothing without context so although I’m based in the Chemistry department I am also in History – I have a supervisor in each camp! I’m delighted to be able to utilise my physical sciences degree and my history based masters together.

What do you plan to focus on in your seminar?

My MEMSA talk is an overview of my research so far, how and why ‘Team Pigment’ do what we do and what we’ve learned. In particular I focus on The York Gospels, a manuscript made around 1020 in Canterbury, as a case study.

If you were not in academia, what would you be doing?

I’m a qualified teacher, and before I left to come to Durham I was a head teacher. So I’d probably be teaching somewhere, probably in South East Asia, perhaps in Myanmar or Hong Kong. Although I hear the Seychelles has a lovely little school…

Do you have a favourite medieval/early modern text?

I guess I have to say the Lindisfarne Gospels are my favourite for their history, beauty and the amazing craftsmanship that went into them. Manuscripts are a crystallisation of the skills and trade of the time– animal husbandry, scribal practice, parchment making, artistry, pigment and ink preparation, trade routes from Afghanistan and the continent. The more I learn the more fascinating they become.

Interview with Pete Bibby

Our next seminar will be taken by Pete Bibby on 9th November 2017. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Pete about manuscripts, proverbs, and Guardian crosswords.

Tell us a bit about yourself, where are you from? What brought you to Leeds/Durham?

I’m a retired lecturer living in Sheffield. When I was 14 I had to give up Latin and promised myself I’d get back to it one day. When I retired (my last paid employment was teaching life drawing) I joined the Medieval Latin Reading Group at Sheffield University which led to a Latin Palaeography summer school at Durham which led to an MA at the Institute for Medieval Studies in Leeds which led to….

What is your favourite thing about the medieval/early modern period?

The manuscripts it left behind. My project could have the title “An Excuse for Peter to Explore Manuscripts “.

What does your research focus on?

I’m looking at vernacular medieval proverb collections with the emphasis on the word “collections”, trying to find ways to analyse, describe, categorise and make them more generally available. Trust me, it’s more interesting than it sounds.

What do you plan to focus on in your seminar?

The Durham Proverbs were my introduction to proverb collections and I’m hoping they’ll do the same job for the audience. They’re witty, puzzling, obvious, obscure and entertaining. As is their scholarship.

If you were not in academia, what would you be doing?

Sitting in a real ale pub doing the Guardian crossword while complaining that they aren’t as good as they used to be, doing the same with the beer and occasionally feeling pleased when they publish a letter of mine. Mind you, I did that when I was in academia….

Do you have a favourite medieval/early modern text?

Leeds, Brotherton Library, Ripon Cathedral Library MS1, a 13th century English Bible. I love the way its chapter numbers don’t.

Interview with Kelly Clarke

Our next seminar will be taken by Kelly Clarke on 23rd October 2017. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Kelly about the excitement of early medieval research and ideas for the BBC! 

Tell us a bit about yourself, where are you from?

I grew up and still live in an old mining village in the North-East, though I like to tell fellow early medievalists ‘Bernicia’ to make it sound less grim!

What brought you to Durham?

I completed my BA and MA at Durham and received funding for a PhD which was great because I’m a homebird at heart. I also established a fantastic relationship with my supervisors during my earlier studies and wasn’t quite ready to walk away from that yet.

What is your favourite thing about the medieval/early modern period?

Studying the early medieval period is pretty exciting because you can’t rely on one piece of evidence and have the opportunity to cross disciplines. I’ve had the opportunity to work with so many different types of surviving evidence in the past four years and no week is ever the same!

What does your research focus on?

My PhD examines the political, economic and ‘long’ distance interactions between the Merovingians and Anglo-Saxons in the seventh century through a comparison of the surviving material culture, numismatic, manuscript and written evidence. It’s been quite an eye-opener (and a challenge!) to see how differently scholars in France and Britain have assessed evidence and approach the early medieval period, but I definitely think transnational approaches should be more strongly encouraged.

What do you plan to focus on in your seminar?

There are so many points I could pull out of my research, but I’ve chosen coinage because it’s a relatively ‘new’ form of evidence. I’m going to use the coins to see what we can learn about the connections between the Merovingians and Anglo-Saxons during the seventh century and encourage you to share your opinions and thoughts with me. At the very least, I’d hope that you will go away wanting to buy a metal detector to ‘do your bit’!

If you were not in academia, what would you be doing?

I’d still be working at Beamish Museum as a costumed demonstrator!

Do you have a favourite medieval/early modern text?

Stephen of Ripon’s Life of Saint Wilfrid. I encourage everyone to read this because the scandal and drama is a page turner and will make you want the BBC to produce a drama series!

Interview with Hannah Piercy

Our first seminar of the new year will be delivered by Hannah Piercy on 9th October 2017. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. Below we talked to Hannah about her love of the Lake District and Medieval Romance. 

Tell us a bit about yourself, where are you from?

I’m from the Lake District in Cumbria, which I still think is the most beautiful place in the world. I love going walking and cycling when I’m at home, or when I get chance to explore some of County Durham. Even though I spend most of my time indoors reading and researching now, I’m very much a lover of the great outdoors, and I’m still captivated by the beauty of the fells every time I go home.

What brought you to Durham?

I came to Durham for my MA in 2015, and loved it so much that I decided to stay on for a PhD. Durham has such a good reputation for medieval studies, with some fantastic medievalists heading up the English department, so that was definitely one of the things that drew me here. I also wanted to get back up North after spending three years down south for my undergrad degree, and Durham seemed like the ideal place to carry on my studies while being a bit nearer to home.

What is your favourite thing about the medieval/early modern period?

It’s so hard to pick one thing, but I think I have to say the romance genre of literature that flourished in Europe during the medieval period. That’s what I have spent the majority of my five years as a student working on, and I’m still not over the delights of reading a romance text and finding so much that is surprising, ridiculous, and bizarre, yet at the same time so much that feels familiar. The Middle Ages feels very unheimlich [unhomely/uncanny] to me – the combination of the strange and the familiar is for me what makes it such an exciting period to explore.

What does your research focus on?

My research focuses on the representation of gender, relationships, and desire in medieval romance literature, primarily in Middle English but with some Anglo-Norman texts as well. I’m actually in the process of shifting the focus of my PhD topic – after spending a year exploring the topic of female desire, I feel that it is too broad a topic for my PhD, so I’ve decided to shift the focus to look at how obstacles to relationships are overcome in romance literature. In particular, I’m exploring the kinds of impact characters’ gender and social status have on how they go about resolving obstacles to romantic relationships – whether men and women behave differently if the person they are attracted to isn’t interested in them, and what kinds of implications this has for our understandings of gender and class, medieval and modern.

What do you plan to focus on in your seminar?

My seminar focuses on a text I’ve been intrigued by for a number of years, the Middle English Erle of Tolous. In this text, the Earl of Toulouse decides he wants to see for himself if Empress Beulybon, the wife of his enemy, the Emperor Diocletian, is as beautiful as he has heard people say she is. When his presence in the city is betrayed to the Empress, she refuses to give him away to her husband, and instead invites him to see her as she enters her chapel for mass. There’s a peculiar extract where he is watching her through a window of the chapel as she puts on a kind of performance of her beauty for him, and my seminar is really trying to figure out what is happening in this episode, and why it takes place in a chapel. I’ll be comparing this episode with other representations of churches in medieval romance, including some more salacious examples where couples have sex in a religious setting – so hopefully it will be an entertaining as well as an academic talk!

If you were not in academia, what would you be doing?

I think I’d probably still be doing something literary or arts focused – as one of my housemates is fond of saying, I just ‘love them words’. I actually find proofreading really satisfying, so publishing is definitely a career I’d like to look into if academia doesn’t work out. I also find things like arts education very interesting, and I’ve really enjoyed doing some work experience at my (fantastic) local theatre at home (Theatre by the Lake, Keswick), so I think anything in that kind of sector would appeal to me.

Do you have a favourite medieval/early modern text?

Someone asked me this the other day, at which point I panicked and said Malory’s Morte Darthur. As another friend said, ‘surely you can do better than that’ – which is true but also not true! I actually do love Malory’s Morte Darthur, probably because it’s almost a compendium of romance features, so it contains nearly everything I love about the genre. I love Malory’s insights into the human mind too, especially moments like Elaine of Astolat’s speech where she asks why she shouldn’t love Lancelot, as she is an earthly woman made for earthly love. But when I think about it, there is probably another text which takes the prize for me. It’s The Wedding of Sir Gawain and Dame Ragnelle – probably an unusual choice, but it’s a text I have always found not only entertaining but thought-provoking. From monstrosity to predatory female sexuality, The Wedding of Sir Gawain and Dame Ragnelle has always provided me with lots of interesting ideas for research, and I think it’s a fascinating text that deserves more recognition than it has received. To add one more text to the list, I’ve really enjoyed reading some of the later romances this year in my research, including William Caxton’s translations from French romances. Paris and Vienne is one that I have particularly enjoyed, and I’m really looking forward to talking about it in my seminar on Monday. It’s pretty mad in places, and includes an episode where the heroine Vienne puts off a rival suitor by placing rotten chicken in her armpits to make her smell disgusting!! If that doesn’t demonstrate what is completely mad and marvellous about medieval literature, I don’t know what does!

Interview with Abigail Steed

Our next seminar will be taken by Abigail Steed on 20 June 2017. As usual tea and biscuits will be served at 17:40 with the seminar starting at 18:00. And, after the seminar we will be having a party with wine & snacks. Below we talked to Abi about Walsall (not Warsaw!), PGCE and her love of the Anglo-Saxons. 

Tell us a bit about yourself, where are you from?

I grew up in Walsall in the West Midlands (not Warsaw, Poland!). I moved far far away to St Andrews for my undergraduate degree, then even further away to Greece where I taught English for a year before coming back to the UK and to Durham.

What brought you to Durham?

I’ve been drawn to the north east ever since I first visited on a family holiday years ago, and of course Durham is a fantastic place to study medieval history. Having decided a four year degree in the subject wasn’t quite enough, I came here to do an MA and by some serendipity am still here studying for my PhD.

What is your favourite thing about the medieval/early modern period?menintights-bann

When I was younger I was a big fan of Robin Hood (of the Disney fox sort, mystical long haired 80s TV sort, melancholy cassettes played in the car, you name it). Show me a ruined castle too and I’m yours. I also decided long ago that king Cnut sitting in the sea telling the tide not to come in was an excellent image (and maybe something some of our leaders now should take note of!) So I suppose it’s the power of all the stories and places to still capture the imagination that I love.

What does your research focus on?

My research is on vengeance in late Anglo-Saxon and Anglo-Norman society. In particular it’s leaning increasingly towards the place of divine vengeance in the way that medieval people thought about the world and negotiated their own relationships. I became interested in stories of saintly vengeance miracles in my final year of undergraduate study, and it all developed from there really. I’m now looking more broadly at how theological ideas influenced interpretations of events and codes of morality, which feeds into all sorts of other issues such as levels of religious belief and scepticism, social memory, and chains of communication among and between different social classes. It means reading anything and everything I can get hold of source-wise.

What do you plan to focus on in your seminar?2A8C401700000578-3162129-Experts_believe_the_elaborate_weapon_could_belong_to_one_of_King-a-26_1436956613223

The seminar is going to be based on the first part of my thesis. I’ll be attempting to explain the roots of the theological concept of divine vengeance, and why it was conceived of as a necessary component in ordering the relationship between God and humanity. I’ll go on to contextualise this with some examples of how this influenced the interpretation and recording of historical events in this period.

If you were not in academia, what would you be doing?

Probably being a primary school teacher and living for the bit of the curriculum on the Anglo-Saxons. I had a place on a PGCE course and that was my back-up plan when I was applying for my PhD.

Do you have a favourite medieval/early modern text?

I could list many, but I’m going to go with Beowulf. Seamus Heaney’s translation is wonderful and you get something new out of it every time you go back to it.

Interview with Olivia Colquitt

Our next seminar will be taken by Olivia Colquitt on the topic of ‘Death and Desire: Mermaids in the Medieval Imagination’. 18:00, 13 June. 

Tell us a bit about yourself, where are you from?

I’m from St Helens, a town wedged between Liverpool and Manchester, which is terribly lucky, since my hometown is unfortunately lacking in stuff to do, meaning I can soak up the culture of the big cities. In fact, I studied my BA at Liverpool and its close proximity means that it’s become a second home for me. While you can’t find as many medieval marvels as there are in Durham, the North West of England is certainly not short of historical interest.

What brought you to Durham?

Medieval literature was the first thing to ever truly click with me and I yearned to take things further. Where else could be better to delve deeper into the Middle Ages than Durham? The city’s rich medieval history and the fantastic research taking place at the university made it a no-brainer, and I’m thrilled to have had the opportunity to study here.

What is your favourite thing about the medieval/early modern period?

To me, the Middle Ages seem both a fairy-tale and an intensely gruelling period: an age of chivalry and courtly love on the one hand, and one of plague, strife, and fear on the other. I think it’s these blurred margins between reality and fantasy, evoked so compellingly in medieval romance, that have always drawn me in. Looking at the magnificent courts such as Eleanor of Aquitaine’s in Poitiers, for example, one can never quite be sure to what extent fairy-tale is influenced by real life, or real life is emulating romance.

What does your research focus on? 

Having studied both English and French as an undergrad, I’ve always been interested in how texts evolve geographically and temporally. My Masters here at Durham gave me the chance to move further North and track the cultural transmission of ideas in Old Norse literature. I’m currently working on my MA dissertation, which explores the approaches to honour, love, and sovereignty in the French, English, and Norse versions of Yvain. My PhD will examine the French and English Melusine, and look at how monstrosity is linked to identity construction, dynastic legacy, and the conceptualisation of the right to rule.

What do you plan to focus on in your seminar?

Mermaids are such a well-known figure in the modern world, particularly in current fashion (I can’t help noticing all the ‘mermaid hair, don’t care’ t-shirts), but my research has proven these seductive sirens to be highly enigmatic. During my seminar, I’ll be exploring the development of the mermaid throughout the Middle Ages, considering her roots in antiquity, and reflecting upon her symbolic associations.

If you were not in academia, what would you be doing?

As I said earlier, studying medieval literature ignited a flame in me that I’ve never experienced before, so I find it quite difficult to imagine what else I’d be doing. That said, I would love to write historical novels and offer an insight into the lives of some of my medieval heroes and heroines, such as William Marshall, Empress Matilda, and Jacquetta Woodville.

Do you have a favourite medieval/early modern text?

Although my research hones in on English adaptations of French material, my all-time favourite text is what I like to call an ‘original home-brew’: Sir Gawain and the Green Knight. While its Arthurian elements and romance motifs link it to a plethora of other texts, this poem is so wonderfully unique. The Green Knight, the beheading game, and the detailed alliterative verse make it such a vivid read that time and time again I find myself turning back to it. I’m even collaborating on an independent animation of it!

Interview with Rachel Fennell

Our next seminar will be taken by Rachel Fennell on Tuesday 6 June. Rachel will be speaking on ”Look, her lips. Look there, look there’: The Consequences of Kissing in Early Modern Tragedies’. As usual, tea and coffee from 17:40 with the seminar at 18:00. 

Tell us a bit about yourself, where are you from?

I’m from the Black Country, West Midlands, which means people automatically do terrible impressions of an accent that I don’t have when they meet me. I’ve lived in lots of different places, however, including Chengdu and Bangkok so I’m a bit of a wanderer. I did my BA and MA at Lancaster, which with its castle and cathedral reminds me a lot of Durham.

What brought you to Durham?

I’ve always wanted to do a PhD and Durham has always had an excellent reputation, so it seemed like the perfect place to come and complete my studies. I feel very fortunate to be living in such a beautiful place.

What is your favourite thing about the medieval/early modern period?00bayfield

How grim and gruesome it could be! From catching the Black Death to running the risk of being burnt at the stake, I’m constantly struck by how extreme everything could be, whether it was religion or politics, criminal punishment or disease. Of course, some of those issues we’re still dealing with today, and I find it fascinating to look at the parallels between our own time and that of the Medieval/Early Modern period. In many ways we’ve barely changed at all.

What does your research focus on?

I’m currently investigating representations of the Sleeping Beauty motif, considering the cultural and medical implications of the comatose woman in conjunction with Medieval and Early Modern imaginative fictions. My research looks at how the sleeping corpse evolves from a Medieval image of saintly veneration with miraculous healing abilities to cynical Jacobean fetish object. In particular, I am focusing on the reactions of others to the corpse, especially that of both the beloved and the unwanted suitor, as well as the medical, chemical, spiritual, physical and romantic interventions necessary in order to successfully -or otherwise- induce a state of consciousness once more.

What do you plan to focus on in your seminar?

Rogue_-_Iceman_kiss
X-Men: Cursed Kisses are Still a Thing

I’m going to be considering the idea of the ‘True Love’s Kiss’, which for better or worse is ingrained in Western culture and features in all the very best fairy tales. I’ll be looking at how for the Early Modern tragedian, however, kissing a slumbering corpse was often what killed Prince Charming.  I’ll therefore be briefly exploring the motif of the cursed corpse kiss and focusing on why the mouth was the gateway to life and death.

If you were not in academia, what would you be doing?

Teaching English as a foreign language, somewhere in South East Asia. It’s what I was doing before I came to Durham to start my PhD and I really loved everything about it: the people; the food; the weather; the amazing places I was privileged enough to see. I’d love to go back one day.

Do you have a favourite medieval/early modern text?

My favourite texts of the Medieval/Early Modern period have always been plays and as much as I love a bit of blood and gore, my favourite play is Shakespeare’s great romantic comedy Much Ado About Nothing.  A scheming bastard, a faked death, warring would-be lovers and a happy ending? Just my cup of tea.