Interview with Jess Allen

Our next MEMSA seminar will be taken by Jess Allen, talking about ‘Forgotten Voices: Reconstructing Female Friendships in Renaissance France’. 18:00, Tuesday 14 February. We chatted to Jess below!

Tell us a bit about yourself, where are you from?

tonbridge-castle
Tunbridge Castle

I’m from Tonbridge, a small town in Kent where there isn’t much to do or see other than a relatively small Norman castle. I lived there until I went up to Oxford to study French and German, spending my third year and most of my vacations in France, Germany, and Luxembourg. I developed a love of early modern French literature during my first year and haven’t looked back.

What brought you to Durham?

After I finished my undergraduate studies, I really wanted to go to a different university for my Master’s so that I could experience a new environment and a new set of people. I decided on Durham because there is such a high concentration of medievalists and early modernists, the city is beautiful, and there are lots of interesting opportunities and activities to explore.

What is your favourite thing about the medieval/early modern period?

I love the way that pretty much all of the issues we discuss today, from gender to education and from war to politics, were present and being discussed during the early modern period too. Reading French literature from the period provides you with a window into that society as well as with new ways to think about your own; it seems to me that the texts I read, even though they were published about five hundred years ago, are highly relevant to our current political situation.

What does your research focus on?

At the moment, I’m working on my MA thesis which is about women and friendship in early modern French literature. I’m looking at Madeleine des Roches and her daughter Catherine who had a salon in Poitiers alongside Montaigne’s adopted daughter Marie de Gournay, analysing how they write about gender and friendship in their works. I’m still working out my precise approach to the topic, but I’m interested in how they thought about these concepts themselves and how we might use this to approach their works.

What do you plan to focus on in your seminar?

I’m going to be talking about what I’ve thought about so far and where I might be going next. Not many people know a lot about these writers, so I really enjoy introducing people to them and their work.

If you were not in academia, what would you be doing?lufthansa-a380-630x420

I love travelling and I’ve often wondered what it’s like to be a flight attendant, so maybe I would be doing that. If I didn’t manage to get a job with my favourite airline, Lufthansa, I would probably be teaching English somewhere seeing as I love teaching, languages, and exploring new places.

Do you have a favourite medieval/early modern text?

That’s a really hard question. The text that got me really interested in the Renaissance was Montaigne’s Des Cannibales so I’ll say that, because without that, I wouldn’t be here today.

Interview with Heidi Richards

Our next seminar is 18:00, 31 January with Hiedi Richards (https://www.facebook.com/events/370714326640174/) talking about ‘From Romance to Reality: Influences of Medieval Romance Literature on Late Medieval English Castles’. As usual, tea and biscuits from 17:40. Below we talked to Heidi about Dolphins, Broadway and King Arthur! 

Tell us a bit about yourself, where are you from?

I am from Raleigh, North Carolina, in the United States.  I originally went to university to get a degree in musical theatre–I was aiming for a career on Broadway.  But after my first year, I had a change of heart and wanted to be Indiana Jones (which was my original dream through high school).  I completed my degrees in archaeology and religion at the University of North Carolina at Wilmington (UNCW).  I worked at a church with teenagers for a few years and then felt that the archaeologist inside of me was longing for England.5077-5077_New-York-Broadway-MAIN.jpg

What brought you to Durham?

When I was about 13 years old, I received a calendar with castles on it one Christmas.  Since then, I’ve known I wanted to live in England and work with castles in some way.  When I was working on my undergrad degree, I did a 6 month study abroad program in Swansea, Wales, where I had an internship with the Glamorgan-Gwent Archaeological Trust.  That opened up the door for me to come back to England.  When I decided I was going to come to England as a postgrad student, I originally had my mind set that I would go to school in London.  Then one day, I did a random google search and happened to see Durham.  I saw how charming it looked online, and that it also had an excellent archaeology department, and I instantly had my heart set on coming to Durham.  I came to Durham for my MA in September of 2014, and now I’m in the second year of my PhD.

What is your favourite thing about the medieval/early modern period?

As you can probably tell by my title, I really love castles and the romance of the middle ages.  I’m a bit of a dreamer…my favourite FAVOURITE thing is to just wander around castle ruins and let my imagination go wild.

What does your research focus on?

My research focuses on influences from medieval romance literature on later medieval English castles–focusing on landscape design and castle architecture.  I look at my research from a buildings archaeology perspective, which uses standing structures to tell the story of a place rather than artifacts.  Instead of the stratigraphy of soil, I look at layers of architectural features.

What do you plan to focus on in your seminar?

I plan to just give an overview of my research: what it’s all about, how it works.

If you were not in academia, what would you be doing?

I would either be in musical theatre or a murder mystery writer.  Or, possibly a marine mammalogist—I really love dolphins and otters.

Do you have a favourite medieval/early modern text?

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Dolphins are cute.

Probably Geoffrey of Monmouth’s History of the Kings of Britain.  In my opinion, it really initiated the emergence of all the great romances and Arthurian stories.  It combines the ancient imperial ancestry myths of England with the early medieval history of Britain down through the lineage of Constantine and King Arthur.  Fascinating stuff!

Interview with Louise Garner

Our next seminar is on Monday 16 January, 18:00 (tea and biscuits from 17:40). Louise Garner will be giving a talk entitled “Bringing up the Flowerers’: Recipes for Conception, Miscarriage and Abortion in Seventeenth-Century England.” 

Below we chatted to Louise about East Asia, early modern women and family medicine. 

Tell us a bit about yourself, where are you from?

I’m from Leicestershire, but haven’t lived there for a long time.  Before I left Britain I lived in Pendle, near the Witches. After Lancashire I moved to The Falkland Islands, and then lived in Kuala Lumpur, Malaysia for four years and then lived most recently in Kathmandu, Nepal for a few years.

What brought you to Durham?

Moving back to the UK from living abroad was like a blank canvas, I could go anywhere and do anything! I decided to indulge a passion and study for Masters in Medieval and Early Modern Studies at Durham.  I’d been to Durham as a visitor and liked it, and the university setting and expertise seemed perfect.

I intended to stay just for a year, but ended up buying a house here and starting a PhD.

What is your favourite thing about the medieval/early modern period?birthing-woodcut-final

I’d be lying if I said I wasn’t drawn to the high drama – Kings, Queens, executions, battles, plague etc.

However, I’m really interested in medicine and actually think that Medieval and Early Modern people probably knew a lot more than we give them credit for, in fact they could probably teach us a thing or two. The knowledge they had was just “known” I think and has been lost because no one thought it even needed to be recorded.

I’ve recently had a baby and I’m sure an Early Modern midwife had a few tricks and tips up her sleeve, particularly with regards to breastfeeding, that has been lost. As a society we’re expected to mistrust our bodies – I think the EM woman was certainly more in tune with hers.

What does your research focus on?

My current research is on non-destructive identification of pigments used in illuminated manuscripts.  However, the knowledge of which pigments were used means nothing without context so although I’m based in the Chemistry department I am also in History – I have a supervisor in each camp!  I’m delighted to be able to utilise my physical sciences degree and my history based masters together.

What do you plan to focus on in your seminar?

My MEMSA talk is on my masters’ research which was regarding reproduction and childbirth in the Early Modern.  Specifically, I narrowed the reproductive field down to conception, miscarriage and abortion in my dissertation and then used household medicine and family recipe books as a lens through which to explore these concepts.

If you were not in academia, what would you be doing?AP78907278_Seychelles_Trave-large.jpg

I’m a qualified teacher, and before I left to come to Durham I was a head teacher.  So I’d probably be teaching somewhere, probably in South East Asia, perhaps in Myanmar or South Korea. Although I hear the Seychelles has a lovely little school…

Do you have a favourite medieval/early modern text?

No not really, I love medieval manuscripts, but more as beautiful objects.  I particularly like the little notes and marginalia scribbled in them, particularly curses to people who don’t return books! I’d like to learn Old English, so maybe ask me next year and I’ll have a favourite OE text.

 

Interview with Dr. Elizabeth Goodwin

MEMSA’s final seminar of term will be given by Dr. Elizabeth Goodwin (Sheffield University) on the topic of ‘Emotion, Resistance and Reformation in the Diary of Caritas Pirkheimer’ (https://www.facebook.com/events/1746138355712409/). 13 December, as usual tea and biscuits from 17:40, with the seminar at 18:00. 

AND AFTER THERE WILL BE OUR CHRISTMAS PARTY. 

We chatted to Elizabeth about mentalities, early modern nuns and the reformation below. 

Tell us about yourself; where are you from?

I’m from Sheffield, where I finished by PhD last year. It’s not got a lot in the way of medieval history, but I’ve volunteered as a tour guide at our remaining Tudor house of Manor Lodge, and could tell you a lot about how much of a connection it has with Cardinal Wolsey, Elizabeth I and Mary Queen of Scots!

What do you love most about the medieval/early modern period?

I love being able to recreate a world that you can’t easily access, understand different mentalities, see change and upheaval and rupture and continuity over a broad period. Trying to understand the drama and experiences of everyday life in contexts so vibrant and different.

What brought you to Durham?

I gave my very first research paper at Durham, in the summer of my first PhD year, in 2013 – it was a really interesting conference of Resistance and Authority, and I remember being thrilled that my paper was taken really seriously and that I didn’t mess it up.

What does your research focus on?

My thesis focused on communities of English nuns before and after the Dissolution of the monasteries, how these communities formed and reformed themselves through textual and material culture, and how these communities continued after the official structures of their convent were no longer there. I looked at a comparison with German nuns going through the Reformation, and my latest work is a continuation on this – I’m looking at emotion and emotional responses in Medieval/Early Modern nun’s visual culture, and reading emotional defences into the incredible work of Caritas Pirckheimer.

What are you focusing on for your seminar?

I’m going to explore some of the newest work I’m looking at, at emotional methodology in the Reformation Journal of Caritas Pirckheimer, a sixteenth-century German Abbess who resisted the Reformer city council’s attempts to close down her convent between 1524 and 1528. Her work is incredibly dramatic and features these superbly emotional scenes, utilised to, I think, defend the convent from broader Reformer discourse and the immediate threat to her convent that was being posed. Her work is fascinating because she engages so heavily with medieval Humanism and with the Reformation, so crosses all of these boundaries. I’m really excited to talk about her.

If you weren’t an academic what would you be doing?

I worked in hospitality all the way through college and my undergrad and MA degrees, and I’m a fairly bossy, organised person, so probably events management

Interview with Curtis Runstedler

Curtis Runstedler will be leading our next seminar, on ‘Alchemy and Exemplary Narratives in Middle English Poetry’ (https://www.facebook.com/events/331798223858669/). 5 December (A MONDAY), World Heritage Visitor’s Centre. As usual, tea and biscuits from 17:40, seminar at 18:00. 

We chatted to Curtis about Canada, teaching and the inevitable proceeds of his philosopher’s stone. 

Tell us a bit about yourself. Where are you from?

I’m from the snowy landscapes of Ottawa, Canada. Actually, it’s not snowy all the time – in the summertime, it can get up to 40 degree Celsius (talk about extremes!). Good surfing weather in the summertime (just needs more tasty waves).
I completed my undergraduate degree at Carleton University and then swam across the pond to complete my MA degree at Durham University (I wrote on werewolves in the medieval romance and it was lots of fun). I enjoyed the experience so much that I decided to stay on board for my Ph.D. degree, which hopefully I’ll finish sometime next year.

What brought you to Durham?

0778014304.jpgWell, I had a couple inspirational moments. I used to work at this great little publishing press called Oberon Press (I was the warehouse manager) that had been around since the ’60s and published the Where to Eat in Canada annual guide as well as lots of wonderful Canadian novels and poems. I was really keen on doing an MA in the U.K., and the wife of my manager at the time told me about this amazing place called Durham University.
I also had a friend I’ve known since kindergarten who was studying there at the time, so he told me what to expect. Then one of my Studies in Arthurian Literature lecturer Siobhain Calkin encouraged me to attend an event with Professor Neil Cartlidge at the university about studying an MA at Durham University. I went to it and I was the only one who showed up, so we chatted for a  couple hours and I ended up applying to Durham and getting accepted. I’ve loved every minute of it.

What do you love most about the medieval/early modern period?

Well, I love both periods, but I’m a medievalist at heart. I love the fantastic (i.e. the castles, dragons, knights, and those incredible medieval women!), but I’m also really intrigued by magic and the supernatural as well as the growth of medieval science (scientia) and society. Naturally, I’m really interested in astronomy and alchemy as well. We owe so much to the medieval period, and it’s great that scholarship in recent years is shining new light on all these long forgotten episodes and characters. It’s a beautiful time to be alive.
The early modern period is really interesting too (from the Tudors to Milton to Shakespeare to Marlowe to all the alchemy/chemistry going on). I find the sixteenth century particularly interesting, especially after reading the excellent book Dark Fire that my supervisor recommended to me. I’m really interested in the alchemical afterlives of many of the medieval authors in the early modern period, and this is something that I’d like to continue researching for a couple future publications.

What does your research focus on?

My research focusses on how alchemy is used to make moral points about human fallibility, metaphorical blindness, and more in Middle English poetry (Chaucer, Gower, and Lydgate as some key exaphilosopherstonemples). I’m also interested in how these alchemical poems form exemplary narratives and how they can be identified as exempla for good moral behaviour and alchemical practice.
Most of my research is analytical and not practical, so thankfully I haven’t blown anything up yet! But I would be happy to share the gold if I discover the Philosopher’s Stone.

What do you plan to focus on with your seminar?

For my seminar, I’m planning to discuss one of the fifteenth-century alchemical dialogues (‘The Argument between Merlin and Morienus’) that I write about in my fourth chapter. This is a really interesting poem because it features a child Merlin talking to his father Morienus (a legendary alchemical adept) about alchemy in a religious context, and it’s also intriguing to consider how it can be read as an exemplary narrative. As well, there’s some incest in it, which will be fun to talk about.

If you were not in academia, what would you be doing?

I love teaching and I love learning, so I’d probably teach at sixth form level or teach abroad. I love travelling too. I also like to write short stories in my spare time, so I’d love to keep doing that on the side and hopefully publish something eventually.

Do you have a favourite medieval/early modern text?

The Canterbury Tales really takes the cake for me. Chaucer is so wonderfully subversive and it has so many layers and levels to the readings, it just keeps getting better and better each time you read it. My favourite tale? Definitely the Canon’s Yeoman’s Tale, but I love the ribaldry of The Miller’s Tale and The Reeve’s Tale, and The Wife of Bath’s Tale is also pretty great. Honourable mention goes to Umberto Eco’s The Name of the Rose (my favourite book of all time), which was technically published in the ’90s, but I believe it’s based off a medieval text or something?
I guess I’d have to say Paradise Lost is my favourite early modern text for obvious reasons. I also really enjoyed Comus and Samson Agonistes, most of Shakespeare’s plays, Dr Faustus, and recently The Jew of Malta, which was a wild ride.

Interview with Kim Foy

Kim Foy will be giving a seminar with the title ‘Bonnets and Brothels: The Women of Dublin Castle’  (https://www.facebook.com/events/372822116389747/) on 22 November, 18:00. As usual, tea and biscuits from 17:40. Below we chatted to Kim about Ireland, Early Modern Bling and hilarious courtly behaviour. 

Tell us a bit about yourself. Where are you from?

I come from Kildare, a small town about an hour or so from Dublin. It’s a place with a lot of history from its beginnings as an early medieval religious settlement with a round tower, to its later role as the home of prominent Irish rebels including the Geraldines and Lord Edward Fitzgerald. We also have the National Stud, and the Curragh is just next door. So yeah. Racehorses and Rebellion.

I remember playing Edward’s brother in a school play celebrating the town, and then running home to watch documentaries about the Wars of the Roses so I’m sure the interest in people and the things they do has something to do with where I grew up, and also our Sky box.

What brought you to Durham?

I focused on diplomatic practice at the early Stuart court which involves lots of ridiculously fun reading on topics like court culture, pageantry and diplomacy generally. I found that many of the writers who were most useful to me were Durham based. When it came to applying for a Ph.D., the expertise of the teaching staff at Durham and the highly interdisciplinary focus of the Leverhulme Doctoral Programme, run by the Centre for Arts and Visual Culture, made the university my first choice.

What do you love most about the early modern period?

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Early Modern Bling

I love the BLING. I’m a devotee of both the medieval and early modern period. In the former, power is dependent upon military strength. Kings can do as they please as long as they have the manpower and it seems to me that the legality of political scenarios follow the reality. There is a beautiful simplicity in the general rule of male brutality conferring authority in medieval Europe. However, I have always felt a more intense response to the visual world and, as I completed my masters’ dissertation, it struck me that visual languages are of central importance to politics by the early modern period. Thinking about how everything LOOKS is a direct route to understanding how people to relate to each other. I’m thinking particularly of sumptuous clothing and jewels, the stuff of the elites. This is what is most appealing to me, that by revelling in the beauty of materials, you can begin to understand more about what’s actually going on.

What does your research focus on?

In particular, I’m thinking about how foreign visitors to the early Stuart court reflect their political and religious views, values and assumptions in their clothing. This has particular relevance to a visiting ambassador or queen consort who, to be successful, has to strike a tricky balance between promoting a court/city of origin and adapting to an English environment. International figures are important sites of cultural exchange because of this dual purpose and I’m very keen to know how all of this dressing up affects diplomacy.

What do you plan to focus on with your seminar?

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This seminar actually arose from my time at Dublin Castle, where I developed a tour about the wives of the Lord Lieutenants or Viceroys. Having expected a to find a relatively bland story of wifely duty, I discovered a surprising history of women self-declaring through material choices, at all levels of society. One of these women is also deliciously scandalous but I’m not saying who until the seminar. She is currently my favourite early modern woman and she is fabulous.

If you were not in academia, what would you be doing?

My obsession with the behaviour leads me to believe that psychology would have been a suitable career. Otherwise, I would be working in an animal rescue centre or wildlife reserve. I’m a vegan who feels terrible about how we treat animals.

Do you have a favourite early modern text?

My favourite text is Finetti Philonexis. It’s an account of diplomatic goings-on at the early Stuart court by Charles I’s master of ceremonies, John Finet. It is unintentionally hilarious, mostly because poor Finet spends much of his time running back and forward from one ambassador to another deciding who should sit where when the king is dining or the order of precedence for ambassadors on solemn occasions. Diva-licious.

Interview with Michael Baker

Michael Baker will be presenting our third seminar of the term, the spookily themed ‘St Erkenwald Hears a Heathen: Narrating a Goste Life’ on 8 November, from 17:30. Below we talked to Michael about his life outside of academia, George Gently and Christian salvation anxiety. 

Tell us a bit about yourself. Where are you from?

I was born in Northern California, but I have lived the longest in Seattle, in what is known as ‘the “other” Washington’. I did my undergraduate work at Seattle University.

What brought you to Durham?

It was highly recommended to me by one of my undergrad professors when I got back in touch to discuss heading back to grad school. The more I looked into it, the more I liked the medieval-city setting, and of course the English Department here is incredibly well respected. Also, I was a big fan of the George Gently TV series. 

inspectorgeorge1

What do you love most about the medieval period?

One of the books that helped me settle on being a medievalist was Barbara Tuchman’s history of the fourteenth century, A Distant Mirror. That idea, that we can see these vague outlines of people who seem familiar, underwrites a lot of medieval literary criticism, and hypotheses about what is meant by this or that text. You have to imagine the medieval, but this is also a bit dangerous, because we can imagine quite a lot of things. So you also need to hunt around to find varieties of evidence, and I suppose I find it like armchair time-travel.

What does your research focus on?

There aren’t that many cognitive medievalists out there, or at least people who call themselves that, though attempting to get into the medieval mindset is obviously a big part of study of the period. But that’s what I am interested in, is how we think now, how people then thought, and how they put that into writing that we are trying to read. For my PhD, I have a focus specifically on dream visions in Old and Middle English, to contrast what narratives that recount dream visions are doing that is different, or similar, over time.

What do you plan to focus on with your seminar?

The alliterative poem about St Erkenwald is an outlier for me, because it doesn’t feature a dream vision per se; as the poem presents it, the saint and a mostly-dead heathen judge have a conversation in front of witnesses. But often dream visions respond to some unspeakable anxiety, and so I think you can think of Erkenwald’s story as visualising a group anxiety about mortality and salvation.  

erkenwal

 

If you were not in academia, what would you be doing?

This isn’t so hypothetical for me because I have only recently come back to academia; for a number of years I was working in marketing/PR in the non-profit sector, and running a city blog about Seattle. 

Do you have a favourite medieval text?

I have a favourite kind of text: basically any chronicle related to Durham. It’s a thrill being in the actual place, so I can go take a look at where something happened. Then later I enjoy pretending I’m a 12th century travel writer pointing out spots of medieval interest.